Olympics in Flames

Lord, what fools these mortals be!”

Puck’s line to King Oberon Act 3 Midsummer Nights Dream William Shakespeare

This was going to be an essay titled ‘The Party is Over’ but then the Olympic Games Opening Ceremony 2024 stopped me. It was too extraordinary to ignore and in fact, contained the same messages. I wish the Olympics, the athletes and the people of France and the World come together in love at the conclusion of the Olympic 2024 as was surely the original intention of the games. I express no religious or political views other than universal love. If you do not have ten minutes please slide down to the final conclusion.

The gods on Mount Olympus would have watched the Olympic Games Opening Ceremony 2024 in Paris, with a conflation of amusement and horror.

Personally, I found it pedestrian, disjointed and more than at little weird, and I was not the only one. For a country renowned for its consummate sense of good taste, design, style, and pazzazz; what in Hell  happened?

I shall express views here which some will find far fetched, even disturbing. However, this sideways analysis might explain why standards fell so low.

Those who have read Dan Brown’s book or seen the film The de Vinci Code, will appreciate the power of symbols. The main character played by Tom Hanks, is an academic ‘symbolist’. He unravels symbols as a trail of clues that lead to the truth and this is what I believe was happening at this Olympic Ceremony.

So are there ‘clues’ in the ceremony and if so, what truth is being disclosed?

The Olympian gods used to look down on humanity and create situations. If you were a modern organisation, similarly determined to influence the thoughts and feelings of 29 million remote viewers around the world, this ceremony is the perfect vehicle. Being performed in the ‘city of lights’ was surely an invitation the Illuminati could not refuse?

The Illuminati picture credit: National Geographic

I recommend personal research to discover the motives and means of the Illuminati and other cabals, but their aims might be summarised as; ‘to achieve a Global Order through the removal of personal and national freedoms’.

So when you hear on the news that the fibre optic cables serving the high speed trains to the city of Paris have been sabotaged, you wonder why? Curiously, a week or so after the attack, the media are still describing this planned event as ‘vandalism’. No organisation has yet claimed responsibility. You might wonder what reporters are avoiding saying and who has told them not to say it. Was a planned and co-ordinated attack to created fear? Fear of death is the currency of cabals as we witnessed in the recent global pandemic where, again no originator has come forward or been found.

Let them hate us as long as they fear us.’ Caligula

Fibre optic cables carry vast quantities of information over long distances. They send light through gross matter. Cutting off this supply in the four cardinal directions was like cutting off light to the City of Lights; the city of the Sun King, Louis 14th. So similarly ‘cut off from the world’ was Louis, when he moved the Royal Court away from the Parisian minions to Versailles, where he could enjoy a privileged  hedonistic lifestyle.

The leaders of the secret societies were closely involved with and led the French Revolution. They would have introduced the ‘Phrygian Cap’ as headgear for the revolutionaries; a symbol of Mithras represented by the bull.

Close observers of the Olympic Opening Ceremony would have noticed the golden head of a bull next to the five Olympic rings at the flag raising ceremony. Should we conclude that Mithras and Revolution is alive and well in modern France?

picture credit : Israel 365

The Roman Empire nearly adopted the Mithraic religion as it was popular with it’s soldiers and Mithraic temples can be found under many churches. In myth the bull’s spine sprouts corn and the blood is the wine of animal life. Christianity was chosen as the preferred Roman religion but the similarity of this Mithraic myth to the Eucharist should not be overlooked.

Light is a common symbol of spirituality and Jesus was not the only one who proclaimed to be the ‘light of the world’.

‘How thou art fallen from Heaven, son of the morning’ Isaiah 14:12

There is an old Testament character named Lucifer who the Church Fathers decided to eclipse by conflating Satan and Lucifer and Ahriman as the same beings

But Lucifer, the ‘Light Bearer’, is important today as he represents an ‘imbalance’ of spirituality, a powerful overload of light. We should not consider spirituality as being only goodness, as it can be too weak or too powerful and when either occurs it produces bad things.

Lucifer was responsible for the loss of the ‘third eye’ represented as the ‘brow or Adjna Chakra’ in Yoga and a Cobra in Ancient Egypt. Without this sensibility humans descend into illusion and delusion. The figure of Marie Antoinette in red in the Ceremony, represents how humans have collectively ‘lost their heads’ or rational thought and are fixed in the bright red base chakra of animal and tribal desires.

Balanced spiritual energy is a good thing, but when it becomes imbalanced it is not. Gautama Buddha discovered this after living an indulgent life in royal splendour, then aestheticism. He found little of spiritual value in either. He became enlightened when he followed what he called ‘the middle way’, which is the philosophy of Mahayana Buddhism today.

In the ceremony, Venus was represented by Beyonce as a feminine spirit of light and beauty with an enchanting voice; as with the Sirens in the voyage of Odysseus. But it was a narcissistic delight in self reflection that audiences were presented with and not the Venusian sacred mirror of ‘self reflection’.

The decent from balanced spirituality into base narcissism is present around the world in social politics today, not least in France where the left and right wing extremists, with no thought of a ‘middle way’ compromise, have recently taken over the government of the country.

The political values of the French Revolution, “Liberty, Equality, Fraternity or Death” were chapter headings in the ceremony as it appeared on television.

The above background information, is intended be some explanation of the following analysis of the Olympic Games Opening Ceremony 2024. Many have reacted to the ‘weirdness’ in the ceremony as something they could not relate to. The French people had given away their tax payers money and freedom of choice to those who created the ceremony; in other words they had given away their power.

You might ask who decided not to have an audience in the Olympic Stadium for this ceremony, as is traditionally the case. The loss in revenue from ticket sales was clearly a loss out weighed by whatever gain you must imagine. Instead of a climaxing parade of athletes before a cheering international audience, bookended by icons of national pride as in the Beijing and London Olympic Games opening ceremonies, there was nothing.

The world was given a ceremony mainly for the global television audience. The consequence was to separate people into individuals or small groups, such as those Parisians poised on balconies over looking the river. Bystanders had a partial view of the ‘ceremony’ unless they watched it on their phones. The revenue and energy created by sporting event stadiums was sacrificed on an unknown altar.

Performers were perched on buildings as individuals, groups of dancers, musicians, circus artists, singers and actors. Without the power of a telescopic lens and amplifiers, these figures were diminutive both visually and inaudible; a subtle expression of ‘disempowerment’ of the people; ‘divided we fall’.

Human performers made small by large buildings – foolish or just poor design?

Those who were clearly happy or at least good at pretending were the various circus and street performers along the route. They at least added enchantment to proceedings; especially the hired ‘global celebrities’. However these Venusian / Sirenesque qualities, come at a price to the observer as already described.

Only by being tied to the mast of his ship could Odysseus avoid a spiritual death on an island of enchantment and delusion. Is that our world today?

The ‘Minions’ or non-privilege populace, were depicted by cartoon characters who proceeded to sink their own submarine, much in the way humanity is today destroying it’s own space craft; planet earth; cheerless and disempowering messages for us all.

Humanity can not complain that it is has not been warned. The Book of Revelation in the New Testament gives warning of the apocalypse and one of the Four Horsemen of the Apocalypse appeared in the Olympic Ceremony riding a metallic White Horse. Wikipedia informs us that;

In John’s revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of, conquest perhaps invoking pestilence, or the Antichrist.

picture credit: Hindustan Times

‘Conquest’ we can understand as victory in war and ‘pestilence’ something like the recent pandemic. The arrival of an ‘Antichrist’ is not an anti-Jesus but inverted Christ consciousness; love thyself instead of love others.

Nuclear war has been threatened by politicians and humanity would be the lesser for the intense light of the nuclear explosion – matter into energy. Are we being prepared? Spiritual and or physical death was shown to us repeatedly in the ceremony using various symbols.

A river was chosen as the central location for the ceremony. Rivers are a symbol of the journey from life to death and the Ferryman on the River Styx is perhaps the best known. At the beginning of the ceremony, three children (innocents) follow the light bearer (a football star) underground, the place of Hades or the Underworld denoted by shelves lined with human skulls.

The innocents (you and I) are given the Olympic torch which they pass onto a hooded figure in a rowing boat who takes them back into the world of light or from death into life.

Spectacular laser lights on the bridges and stages announce spectacularly that Lucifer is present above ground.

The use of the bridges that cross the River Seine must have been an enormous disruption to the daily travel of Parisians so there must also have been an overwhelming case for deciding to allow this disruption and disempowerment of ordinary Parisians. What was the benefit?

Were we being invited to remember in the recent history of these bridges that one was the location for the death of Princess Diana? The Pont d’Alma ‘underworld’ road tunnel is capped today with the symbol the Illuminati, a flaming cauldron; which incidentally is a copy of that held aloft over New York by the Statue of Liberty.

The Sacrifice of Diana the Huntress

Another Royal death featured in the ceremony was that of Marie Antoinette. Actors appeared at the windows of the Conciergerie. This is a building which served the French Revolution by confining 2,370 prisoners, including Marie Antoinette, prior to horrific public execution by guillotine. The Ceremony could have chosen to avoid this macabre place in the interests of good taste, but instead chose to celebrate the horror.

If you are not convinced by these symbolic references, the next is so obvious that many Christian religious leaders have taken offence. They feel that the story of the Last Super in The Bible was mocked and their faith was being deliberately undermined. The long table on the bridge and the peculiar array of sexually ambiguous characters seated beside it employed frenzied cat walking and dance. The display, for many, was a celebration of sexual licence and depravity and even included children to whom Satanists are particularly attracted as a source of energy. The hermaphroditic characteristics of the figure on the left of Jesus in Leonardo de Vinci’s last supper is discussed in Dan Brown’s book referred to earlier and perhaps inspired the theme…is it Mary Magdelene?

To fulfil the imaginary prophecy of these orgiastic encounters, a near naked Dionysus appears wrapped in fruit on a plate as if about to be consumed by the depraved celebrants. Dionysian rites in Roman times were indeed not for the faint hearted. Was this parade endorsing such rites as an end to modern times?

Using the theme of ‘romance and love’ there were scenes in library where three sexually ambiguous young people made eyes at each other and then a rapid exit into a private room and purposefully closing the door. Families might wonder if a ‘ménage a trois’ is something to celebrate in an Olympic Opening Ceremony if is so, why?

In events such this ceremony, Satanists include symbolic messages for fellow Satanists around the world, in the way the newspaper advertisements once were used for covert communication. They will have been alerted to each message by a principle subversive technique, which is ‘reversal’ of the ordinary such when South Korean athletes were introduced as North Korea. Diplomatic telephones started to ring. An apology was demanded ‘for the next time you organise an Olympic ceremony’. Agreement was made but was ‘human error’ really involved?

The Universal Sign for Distress at Sea

The most glaring reversal was surely taking the audience out of the stadium for the ceremony. Disguised no doubt as ‘innovative conceptual thinking’ and ‘this is France’ – as President Macron explained- the losses appear to be greater than the overt gains. Why would you prefer funeral paced boats in the rain to the traditional carnival of athletes in previous ceremonies in the dry?

Light into darkness is a theme enjoyed by Satanists and the Olympic Ceremony would not have disappointed them. Whilst in a stadium the encroachment of night is gradually balanced out by artificial lighting, this effect is almost impossible to produce in a city. The clear ‘light of day’ passed into dark obscurity. One conceptual theme was actually called ‘obscurite’ meaning ‘darkness’.

Woe to those who call evil good, and good evil,

Who put darkness for light, and light darkness,

And put bitter for sweet, and sweet for bitter,

Isaiah 5:20

A few days ago, You Tubers were posting Paris at night with large areas in black out. Electricity had been cut off. The only illuminated building was the Basilique Sacre Coeur in Montmartre. There has also been further ‘vandalism’ to fibre optic communication cables in other parts of the country.

In conclusion, if only half of these interpretations are close to the truth, I believe we are being given a warning of future problems, by those who are about to create them.

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